Practice Incentives for Violin Students

As a private studio teacher, you may have struggled with your personal philosophy behind practice incentives. We want to be careful to encourage intrinsic motivation in a student rather than squashing it with extrinsic motivators. Students should practice because it makes them better, and they’ll be able to play more music when they’re better at their instrument.

That’s all well and good for the self-motivated pre-teen student, who has already learned that hard work will result in a new skill. However, if you are a Suzuki teacher like I am, you probably have more than a couple students under the age of 6 who have not had a chance to learn this. When the Suzuki Method was first gaining international recognition in the 1960’s, it was at a time when there was generally a parent who was home every day to help the child practice, usually the mom. It was also a time before video games, smart phones, and tablets were commonly found in households across the nation. Now, it’s more common to find families that have both parents in the workforce, and we have daily competition from screens for our students’ attention. For these families with students who have not yet developed their intrinsic motivation to practice, we need a way to encourage students to practice that doesn’t rest solely on a parent’s ability to have the mental bandwidth to encourage, beg, and sometimes argue with their child to practice each day. That’s why, in my opinion, a little external motivation doesn’t hurt the student.

Introducing: Practice incentives! AKA prizes, rewards, bribes, etc…

If you’re a new teacher, or just a teacher new to giving prizes for practicing, I have two tips from my previous experience.

  1. Keep it Simple: I’ve had elaborate challenges that seemed like a great idea in my head, but were actually really hard to explain once I was in a lesson. This is not helpful in motivating a student, especially a little one who is just barely grasping why we need to practice in the first place.
  2. Keep it Consistent: If you introduce a practice incentive of some sort, everyone needs to be held to the same standard. I made the mistake of thinking that as a private lessons teacher, my students wouldn’t have the opportunity to compare their progress with one another. This is simply not the case when you are serving a local community – some of them are bound to have friends within the studio, know each other from school, or if your studio is like mine, you’ll probably have a lot of siblings who are both taking lessons.

And now without further ado, here are some ideas for practice incentives you can implement into your own studio!

Practice/Listening Challenges

I’ve done practice challenges periodically ever since branching out and doing lessons out of my own studio. I’ve tried a variety of things in the past, and I found that having two challenges a school year is plenty.

Practice Minute Challenge

This challenge is really basic. Students record their practice minutes and win prizes as they meet designated goals. There are lots of different personal twists you can add to these challenges, but what I do, is designate the month of October each year as my “Practice Challenge Month”. I have four tiers of prizes that students can win depending on how much they practice. I calculate this based on how much time I recommend each student practices each week. So for example, for a Book 1 student, I recommend that they practice for at least 30 minutes 5 days a week. They win their first prize at 150 minutes, the next at 300, the third at 450, and the final prize at 600 minutes. If the student practices the amount I recommend, then each week, they go home with a prize. If they don’t, they’ll only win two or three prizes that month.

Lets face it, we all have some students who will only earn one prize in the month, and it’s our job to love them just the same as our other students. This challenge helps them get a prize, too!

I get my prizes either at the dollar store, or you can order little arcade prizes from Amazon. I’ve also gotten prizes at a real arcade to pass on to my students – I love going to Dave and Busters, but I don’t need any of the prizes you get for the amount of tickets I win.

Quick tip: I used to lay out my prizes on a bookshelf in my studio so that they could see what they were practicing for. That was far too distracting during the lesson, so now all of my prizes are in a box that they only get to see if they win a prize.

I add an extra incentive by awarding the student who practiced the most out of their group a $5 gift card to Meijer.

Listening Challenge

I’ll admit that I haven’t found a perfect challenge for this yet. As a Suzuki teacher, my job is to encourage families to listen to the music they are going to learn. The student simply will not learn effectively (meaning they will learn to play with mistakes, or take several months to learn each piece) without daily listening, especially in Book 1. And yet, a lot of my families just don’t do it, or only do it once a week on the way to lessons.

For two years in a row, I have done a “November/December Listening Challenge”. My idea is that during the holidays, even if you can’t get to the violin every day, at least you can do your listening. The first year I did this, I encouraged students to listen for 2/3 of the days remaining in the calendar year (which is still lower than what I tell families they need to do), and if everyone did at least that, they would all win a pizza party. My students did not win a pizza party that year.

The following year, I promised everyone a cool notebook to start out the new year if the studio could do 2/3 of their listening in November and December. Remember when I said earlier that it was important to be consistent? I broke that rule for this challenge. My studio did not meet the 2/3 goal and I found myself needing to reward the students who had, for the second year in a row, diligently done their listening every day to try to bring up the studio’s average. Students who did their listening every day did receive a special, music themed notebook that I got on Amazon to celebrate their listening achievement.

The studio-wide challenges have been a swing and a miss for me, so next year, I’ll be making my listening challenge a personal challenge for each student. I am very interested in ideas from Suzuki teachers for encouraging listening that do not include dismissing students from my studio!

Practice Bingo

This was a super fun challenge for me to do in 2023, and my plan is to alternate this each year with my practice minutes challenge each October. Each “Bingo” results in a prize out of my prize box.

Milestone Awards

These rewards are a little easier to keep up throughout the year if you keep the materials on hand. These can be given for graduating pieces in a method book, completing a method book, attending a certain number of lessons, or completing a first recital.

  • Colorful Ribbons. Margaret Hawley-Lowry, who teaches in Zeeland, suggests awarding students who pass a challenge piece in their method book with a colorful ribbon to put on their violin case. At the end of the year, students can see how colorful their cases have become!
  • Peg Gremlins. My students at Jenison Public schools have come to lessons with finger monsters on their tuning pegs. This one deserves a picture:
  • Certificates. Never underestimate the power of a professional looking certificate that students can hang on their fridge at home!
  • Candy. This one is pretty classic, but be sure to have options for students with allergies. When I was a student at Blue Lake, my orchestra teacher in the summer before 7th grade would give candy to one student at each rehearsal as a “Posture Award”.
  • Cupcake Graduation. I teach my students to hold their bows with their thumb outside of the frog. After they’ve learned all of the Twinkle Variations, Lightly Row, Song of the Wind, and Go Tell Aunt Rhody, they perform all four of them consecutively for me at a lesson. After they perform the folk songs from Book 1, my students graduate from their practice bow hold to moving their thumb inside the frog, and they also earn a cupcake! I adapted this idea from my piano teacher’s (Susan Crosser) Cupcake Graduation, celebrating the first few pieces in the piano Book 1.
  • New Strings. This is not something I provide for students, but I encourage the parents of my students to reward their student with a new set of strings when they graduate Book 1.
  • 100 Lesson Club. I write notes for each of my students so I can remember what they’re working on, and sometime a few years ago I decided that while I’m writing the notes, I might as well write a number each lesson. Students who have attending 100 lessons receive a certificate and are part of my “100 Lesson Club”. Members of my 100 Lesson Club are recognized each year in the spring recital program.
  • Magic Rosin. My friend and quartet member, Jamie Listh, who teaches at Trinity North, found these amazing rosin cakes to reward students with.

Behavior-Based Prizes

My Pre-Twinkle students are often still learning what behavior is appropriate for lessons. After seeing several families using a point-system to reward good behavior with their littles, I decided to make up my own system.

Pre-Twinkle students are able to earn up to 3 Cookie Points per lesson. One for participating in the lesson (no stalling), one for following my directions without complaining, and one for following my house rules (no yelling, no hitting, etc.). After students earn a total of 15 points, they win 3 cookies. I have a couple of girl scouts in my studio, so I buy a ton of girl scout cookies and freeze them to give away as rewards. I also like to bake so when those are out, I make chocolate chip cookies, or my mom and I love decorating seasonal sugar cookies. Remember to have a gluten free and dairy free option if necessary.

What types of prizes do you give to your students? I would love to hear your ideas in the comments!

5 Ways to Promote your Music Studio

Whether you are a new teacher trying to build your studio, or an established teacher looking to add a few students to your schedule, these tips are sure to help you increase your student base!

Have a neat, organized website

Cost: $-$$$

Having an organized and professional looking website is, in my opinion, the best way to show potential students that you’re a legitimate business that provides high-quality lessons.

When preparing your website, I recommend keeping things simple – too many bright colors can be harsh on the eyes. Include information about your teaching style, availability, location, a concise bio, and your rates. Yes, I said rates! There are conflicting opinions on including this on your website – some people believe that having students reach out and get to know you before hearing your rates will make them more likely to spend the money on lessons. However, when I didn’t have my rates on my website, I found that I was spending a lot of time responding to inquiries about my rates, just to not hear back. As service-providers, our time is money, and I believe in eliminating this step for myself.

In addition to having an organized website, creating blog posts (like this one!) can also help boost your SEO to help attract more potential students.

As far as costs go, I just paid my 2024 bill for website hosting through Blue Host, and it was $21.99 for the domain and $15.00 for domain privacy & protection. You can also pay someone to create your website for you, but this will be much more expensive. If you do have the money for a web designer, I had a great experience working with NB Media Solutions when I worked for a larger music studio.

Bonus tip! You can purchase Google Workspace through Blue Host for $6.00 a month and get a custom email address. An email address with your website can look more professional than an email ending in “gmail.com”.

Network with other teachers in your area

Cost: $

Other private lessons teachers in your area are not your competition, they are your support system! At the start of 2024, I made a goal to search for other Suzuki violin teachers in the area. My search, sadly, didn’t amount to many teachers, but I did meet a couple of great violinists who I was able to develop a great working relationship and also friendship with!

By simply saying “Hi ___________, I am a violin teacher. I found you through ______________, and I’d love to connect!” You can open the door to a great relationship. You can brainstorm teaching solutions, host joint recitals, host large group lessons together, and even collaborate on special performances for your students. You’ll also be able to share leads with each other – if you have a potential student looking for a specific lessons time that you don’t have, you can refer them to another teacher, and that teacher is likely to return the favor!

The cost of this is only as much as a cup of coffee at your favorite coffee shop!

Build a presence on social media

Cost: Free – $$

I have gotten quite a few leads from Facebook by having a business account that people can follow and send messages to. By posting a couple times a month, parents are able to see what your studio is like and what activities you provide for your students. You can post about what availability you have, what your students are working on in group lessons, or practice challenges you might have for your studio.

When I first started my studio, I paid for ads through Facebook. They were really helpful when I got started, but be warned: you’ll be sorting through a lot of messages that aren’t very serious, or worse, some outright offensive messages! You can spend a little or a lot – Facebook has a lot of customization options for ads!

Paying for ads on Facebook is something I recommend for new teachers only. When you’re first starting out, you likely don’t have a large network available to you and Facebook can help you grow that. For teachers with a more established studio, I find that sorting through the spam messages is just not worth it anymore. Asking parents and friends to share your posts can be just as helpful!

Contact school teachers and music shops

Cost: Free

Okay, so you’ve probably already contacted your local school teachers, but if you haven’t, do so ASAP! School music teachers often keep a list of private lessons teachers on file for parents who ask them about it. Don’t forget to reach out to local homeschool organizations as well! This is a free resource that you really should take advantage of.

Something you might not have already thought of is contacting music shops. In my area, I have a nice working relationship with one of the local music shops that rents out instruments. Be sure to include information about where you are located and what age group you teach when you reach out to them.

Bonus tip! You can also reach out to local arts centers in your area! Small towns often have arts centers where they have summer camps and performances for kids. In my area, one of those places actually kept flyers for me for a while to give to potential students.

Perform at local farmers markets

Cost: Free, and you’ll also probably be paid!

If you have a local farmers market in your area, reach out to their Market Master to see if they’d allow you to come play music a few times in the summer. Putting together a nice looking sign and having cards available helps to get your name out to parents, and you can schedule the performance for a time you wouldn’t be teaching. And, usually it’s fine to put your case out to collect tips as well! Just be sure to ask the Market Master if they allow busking. I’ve gotten leads for students and gigs by playing fiddle music at my local farmers markets.

How have you grown your studio? I would love to hear your own tips in the comments!

2022 In Review

What a year it’s been! I’m so thankful for all of the opportunities I’ve had this past year and it makes me feel very fortunate to look back on what I’ve been able to do. When we are caught up in the grind and just getting by day to day, it can be hard to remember how much we have accomplished. I encourage everyone to do a yearly reflection and give yourself some credit for your hard work too!

Below are just 5 (of many!!) highlights from this past year.

  1. I performed at 26 wedding ceremonies.

I originally started the year with a limit of 24 weddings. After the whirlwind that was 2021, I felt that I needed to limit the amount of weddings I was doing for my own sanity and for the quality of my performances. I ended up adding on 2 more, but am proud of myself for sticking so close to the original number I gave myself! A lot of planning goes into each wedding, so limiting them ensures that I am consistently providing my best work. 

  1. I started the year with 15 students and ended it with 27.

This is especially crazy, because my goal was 20! I am finally at a point where I don’t need to rely on gigs to supplement my teaching income. The constant plugging myself and posting on wedding sites appear to be in my rearview mirror- and hopefully I can keep it that way!

  1. I recorded an album!

Albeit small (only about 30 minutes of music), my string quartet worked very hard and hired a sound engineer (Chris Avison at McBride Studio) to record music for my parents’ 30th wedding anniversary. They have exclusive access to the full album, but you can listen to clips on my About Page.

  1. I Completed Book 2 Training.

It seems so long ago that it wasn’t even part of this year, but in February of this year I completed my Book 2 training with Jenna Potts. It was a very thorough class and I learned so much about teaching and Dr. Suzuki’s philosophy. I’m really looking forward to continuing my education in the Suzuki Program!

  1. I held my first studio recital!

Words cannot express just how much pride I felt when I watched my students, aged 5-adult perform songs that they had worked so hard to prepare. My heart was bursting to see even my most nervous students perform so well. Each student put in so much work and the reward was a beautiful performance.

I’m looking forward to using these experiences to help me grow in 2023!

How to Start Your Own Music Lessons Studio

Before I branched out on my own and started a violin studio, I remember looking on Pinterest, Google, Facebook, Instagram… anything I could think of for tips and advice! A lot of the stuff I read was helpful, but after a year of doing this on my own, I had my own tips to share. Here’s what I wish I knew before I started my own music studio. 

Policies

If you’re anything like me, confrontation and the idea of policing rules probably feels really yucky. Navigating how to safely give lessons during a pandemic only exacerbated this feeling. Don’t make the mistake of not setting boundaries. If you are a music teacher, you likely are a giver. You’ve probably heard it before, but givers need boundaries because takers don’t have any! It’s not a matter of if you will be taken advantage of, it’s when, unfortunately. As a business owner, you should expect some losses, and it’s important to always be providing the best service possible. However this should not come at the cost of your sanity or the ability to pay your bills. 

  1. Bill Monthly

Whether you charge by the lesson or charge a monthly tuition rate, you should be getting paid the first week of each month. The parents of your students should be responsible for letting you know of any conflicts coming up before they pay for their invoice. If you charge your students for each lesson as they occur, you are going to be taken advantage of, because your time is money! Billing monthly will protect you in the long run. 

  1. Have a Make-Up Policy from the Start

Having a make-up policy works very well in tandem with billing monthly. Let all of your parents know before their first lesson what your make-up policy is. Have it in writing, either in paperwork that you give to parents to sign or an email so that you can refer back to it. Something really helpful that I learned at my old office job is that if it isn’t in writing, it didn’t happen. 

I recommend having a 3-24 hour cancellation policy. Then, you can decide how flexible you want to be with it. Did Suzy come home from school with a runny nose and pass out on the couch an hour before her 4:30 lesson? That would be a good time to exercise some flexibility if you are able. Has Wanda’s mom texted you 30 minutes before her lesson that “it just won’t work today” once a month for the past 90 days? Time to remind her of your make-up policy. Remember how I said billing monthly protects you? This is why. When someone takes advantage of your time by cancelling lessons on a whim, you need to keep the payment for that lesson. I know especially when you are first starting that this can be scary; you don’t want to make parents angry and risk losing a student. Consider it this way: what is worse, not knowing what you will make from that student from month to month, or finding a new student that will routinely come to each lesson? It may take some time, but eventually you will have a full studio with students who follow your policies. Don’t discredit yourself now, because it will be extremely hard to rein it back in later. 

  1. Keep Records of Your Students

It’s so fun to keep track of everyone’s birthdays, and each student will be thrilled if you remember them on their day. It’s also great for you to keep notes of each lesson and what you worked on. I have a binder with a tab for each student that lists their birthday, and some bullet points from each lesson. You just won’t remember what each student is up to in their lessons once you’re up to 20 students.

I’ve seen some teachers have the students keep notes and bring a notebook to their lessons, but that leaves a lot of room for error. If they forget their book, now you look silly because you don’t know what they were working on. Even worse, if something happens to their notebook, you lose your notes for that student. Having a record for your students is also helpful in keeping track of how many lessons they are missing, or how many you have needed to reschedule on your end. 

  1. You Don’t Need to Respond Immediately to Angry Emails or Messages

First, I want to mention that I have found that treating each person with kindness and respect will greatly minimize the chance of angry or frustrated messages. But it doesn’t eliminate it, because there will always be someone who can’t respect boundaries or think that they could do your job better. Whatever it is that one of your parents challenges you on, don’t respond right away. It’s hard not to, because it might make you defensive, or sad, or even angry yourself… but you’ll be glad you waited. I always find that I am able to be much more diplomatic when I give myself some space to breathe and bounce some ideas off of my husband or friends on how to respond. By giving yourself time, you may even be able to be open to changing to meet someone with a compromise. However, remember that you are the teacher; you’re the one who went to school for this, you went to all those $700 a piece teacher trainings and you’re the one who has been playing for longer than this student has been alive. It’s ok to stand your ground, too. 

*Bonus Tip: If you can tell that a parent is exceptionally upset, talk to them either on the phone or over coffee. If you aren’t ready to have the conversation when you receive the text or email, ask them if they would be willing to set up a time to talk or meet you for coffee to discuss. It’s hard to have someone challenge you in real time by talking to them either face to face or over the phone, but it’s also a lot harder for them to be nasty. You also won’t need to worry about how your tone is being interpreted. 

Financial Tips

All of that stress of college, the nights without sleep, the muscle soreness from practicing your fingers raw, and you have maybe one class that mentioned a tiny bit about how to market yourself and manage your money. If you are in college right now and reading this, take a business class, and maybe get a business minor! They don’t teach enough of this stuff to music students, and our artsy minds have a hard time grasping it anyway.

  1. Hire a CPA

Sure you could try to do your taxes on your own and figure out how to accurately file for a sole proprietorship or LLC. Especially if you don’t have a large studio yet and are not in a financial position to afford a CPA, perhaps this is the best option for you. However in my mind, a couple hundred dollars a year for my peace of mind in knowing I reported my income correctly and was able to claim everything I absolutely could was worth it. 

  1. On that Note, Claim Everything!!

Do you drive to a studio to teach? Calculate your miles, even if it’s 3 miles down the road. Did you take teacher training? Did you have to buy sheet music for the weddings you played in? Did you rent a space to have a recital? Do you pay for internet so you can respond to leads? All of this is stuff you can claim as an expense for your business and you should, because that is money out of your pocket that needs to be accounted for. This will really lighten the blow of that first tax bill. 

  1. Save for February!!

This is really something I wish I would have hammered into my head before I let myself get so tight before March. Even working in restaurants and salons, I knew that the late winter months sucked for income, but you don’t understand it until you experience it firsthand. First, February is the shortest month, meaning if you charge by the lesson, you’ll have the fewest lessons this month. Your holiday money will be gone, and you’ll be chugging through flu (and now covid) season. Between flu season, covid, vacations, and holidays, I have not had a full week of lessons since early November. And they are valid reasons for canceled lessons. Next year I will be making sure that I have extra money saved for February! 

*Bonus Tip: Don’t ever plan on having every student to show up for every lesson in a month. Give your budget a little bit of wiggle room, because we’re all living chaotic lives and it just doesn’t work to make it to every lesson!

Advertising Tips

This is what I spent all my time looking for when I first started. So you have the policies, you know how much you gotta save, you’ve taken training… well, now you need to get paid, so how do you get students? 

  1. Contact Schools

A quick look on Google Maps will show you which schools are close to your studio. Make a list of the schools you would like to contact, and then visit each school’s website and email one of the administrative assistants. Keep in mind that schools are short staffed right now, so if you don’t hear back for a few days, that’s normal! You can ask the admin assistants if they would be willing to put you in touch with their music teacher or if they could pass along your information. You can also ask them if they keep a list of private lessons instructors on hand and what you could do to get on the list. Most of the time, they will just put you on it without you needing to do anything extra. I’ve gotten quite a few students this way!

  1. Use Social Media

I don’t love Facebook, but it is a very effective way to get your name out there. Create a page for yourself or your studio (even if it makes you feel super self-conscious at first like it did for me), and start posting about what you do. Pinterest has great ideas for making content, and you can schedule out posts months in advance! 

Another way to use media is to create a website for yourself. If you do create a website, write a blog! You can post weekly, monthly, or whatever, but the more you post on your blog about relevant issues, the better it will be for your website’s SEO.

  1. Play in local areas to promote yourself

Last summer, I decided to contact a few local farmers markets and ask them if I could come play some fiddle music. They were excited to have me, and it was a super enjoyable experience. I made a sign that showed how to contact me and advertised that I gave violin lessons and did weddings. I got so many inquiries from people who saw me playing! In the summer, parents are more likely to have their children with them during the day as well. When the kids become fascinated with what you’re doing, the parents will start thinking about violin lessons.  

*Bonus tip: Do you have friends in the area who teach? Ask them if they would consider referring their overflow to you. I’ve referred students to friends when I didn’t have time in my schedule and I’ve had friends do the same for me as well. Just moved? A quick google search will put you in contact with some of the local private lessons teachers. 

3 Goals for My Violin Students in 2022

New Year’s Day and the first few weeks of January are always great times to check in, reflect, and set new goals. I’ve found that I grew more from the teachers who set clear goals for me than the ones who played things more by ear, and I strive each year to be a better teacher for my students! So, in addition to more personalized goals for each individual student, here are three goals I would like to see all of my students reach this year. 

  1. Practice and Listen More Often.

When you teach 3-12 year olds, it can be hard to find a good practice/listening and life balance. Even harder when you personally have struggled with debilitating burnout in the past. I’ll be the first to admit that I’ve gotten a bit lax with my practice requirements and I haven’t always been persistent in having my students listen to their music each week. I struggle a lot with seeing where the line is between encouraging a love of music by keeping lessons fun and doing a disservice to my students by not encouraging them to meet their full potential. I also think that telling each student to practice every day is not realistic, and it’s kind of a cop-out. Wouldn’t it be nice if we could practice every day, work out every day, work on our jobs and our side hustles every day (or go to school!), and never experience an ounce of stress, burnout, or injury! 

Practicing every day will surely help you improve faster than the students who don’t. I’m sure Ray Chen, Hillary Hahn, and other famous violinists do, in fact, practice nearly every day. I had many college professors who insisted we practice every day. But, I’ll let you in on a secret: I’ve never met an adult musician who has spent their life practicing each and every day at the expense of sleep, rest, and sometimes their health, who is also consistently happy, has appropriate social skills, and doesn’t hold an unhealthy resentment towards those who don’t fit their idea of what it means to “work hard”. So, even though I realize I’m in the minority when I say this, I don’t think my students should practice every day. Instead, what I tell them is that they should practice most days. I think you should take a look at a student’s work load and work together towards practice goals that make sense for each individual student. 

That said, my strong feelings against the side hustle and burnout culture have made it very hard for me to understand where I need to draw a line. I think it’s possible to acknowledge and encourage my students not to overdo it and also set firm boundaries on how much they should be practicing and listening to their music. This is also an expectation that needs to be stated clearly with the parents. Kids are just that: kids. They need reminders. It’s my job to make sure the parent knows what is expected of both them and their children. My goal for them is to establish a workable practice and listening routine so that my students are practicing more.  

  1. Explore New Music.

I love the Suzuki books. They’re set up in a way that makes sense to me and I believe that as you continue through each book, the skills you learn from each song build on each other. But they’re not diverse. I think most, if not all, of these songs were not even written in the same century that our students are growing up in. Classical music is great, but it’s far from the only thing out there and it would be silly to think that all of my students go home and blast Tchaik 5 or the New World Symphony. I want them to listen to music that is being made today, whether that is from contemporary violinists, jazz musicians, or pop artists. Being able to listen to music and not do anything else, just listen and enjoy it, is totally underrated and personally, I think it’s healing and a very healthy thing for us all to do. My goal is to help them eventually take self-guided explorations with new music without me encouraging it. But for now I can send home some fun assignments! 😉

  1. Have More Confidence

This is something I ALWAYS have on my list of goals for my students. Life has a way of getting you down, and social media can make it easy to compare ourselves to others who seemingly have it together more than we do. If my students only do one thing in 2022, I hope that they become more comfortable with their instrument, are proud of themselves for doing so, and in turn, have the confidence to keep playing.

Happy New Year! What are your goals for 2022?

What is the Best Age to Start Violin Lessons?

One of the most common questions I get is “how old does my child need to be to take lessons?” The answer (as are most things involving parenting) is complex. I can tell you that I am certified to teach as young as 3 years old and that through the Suzuki program with it’s encouraging slogan, “Every Child Can”. The notion that “Every Child Can” is inspiring, isn’t it? And it rolls so nicely off the tongue. Here’s the part that doesn’t flow quite as well: Every Child Can if they are provided the right tools and parent involvement. So, my answer to the ever-popular question of “how old…” is a series of questions for you, the parent. 

How much time can you invest?

Maybe this seems confusing. These lessons are for your kid, right? Yes and no. Your 3-8 year old will need LOTS of help at home. They will need a practice buddy in the beginning to watch their posture and help with their bow hold. That means sitting with them and actively listening and participating during their lessons so you know how to help. Luckily, when children start learning, their practice sessions don’t need to be very long. However, you’ll still need to budget a few hours a week to practicing and attending lessons. Even when they are able to practice without a buddy, children need to be reminded to practice. It’s not because they’re uninterested in playing or they don’t like it, it’s because they’re a child and children need reminders. Especially when they are young, there is a lot of parent-involvement needed in violin lessons for your child to succeed. Do you have the time to dedicate a few hours every week to your child’s lessons and practice? Then 3 years old is a great age to start. If you are not able to (for a plethora of valid and fair reasons) give that much attention to violin lessons, then your child needs to be old enough to remember assignments on their own and absorb what they are taught in the lesson and apply that at home. I often don’t see this until 7 or 8.

What are your expectations?

As adults we have been trained by society to view progress linearly. We often don’t have a lot of patience for ourselves or others if we aren’t seeing obvious improvement from week to week, or even day to day. If you are expecting to see your child play full songs by the end of the first month, then your 3-8 year old is too young for lessons. In fact, many older kids would be too young by that standard as well. For the average child, it takes months to get to the point where they will be able to play their first song. 

How much do you like Twinkle, Twinkle?

Okay, I’ll be honest and say I don’t know many people who get crazy over Twinkle, Twinkle Little Star. My point is, if you have a really young child taking violin lessons, get ready to hear a lot of beginning songs over, and over (and over and over) again. They need a lot of time with these songs because we don’t simplify violin techniques for children, we just give them the techniques in bite-sized pieces. This takes time. It’s also important to note that, as Dr. Suzuki suggests, it’s a great idea to use something old to teach something new. Going back to old songs is not uncommon for the Suzuki method because we are constantly learning how to be better. 

Parents, this just one area where your role becomes important. From my experience, a child does not get bored with a song and become anxious to move on, the parent does. This goes back to us seeing progress linearly. It’s tough to rewire our brains, but very important. Here’s why: If your child hears you say something about wanting to move on or being tired of a song, then they will be influenced by that. Your children adore you and they want to emulate you, and even if you say something that seems insignificant, your child may very well take it to heart. “We need to practice Twinkle… again” becomes “Mommy/Daddy’s upset because we’re playing this again, I need to move on faster.” I’m not saying you’re supposed to like practicing the same songs over and over again with your child, but a little enthusiasm (even if it’s not sincere) will go a long way. If you’re thinking you may have trouble keeping your impatience to yourself, consider waiting until your child is old enough to practice on their own to enroll them in violin lessons. 

What age did you or your child start lessons? I’d love to hear your experiences below!