Violin Studio Back to School Notes

We started our Fall Semester on September 3rd, and this school year is already off to a busy start! Each student got to start off the semester with a sweet treat, made by my mother (and I helped)!

We have some exciting things planned for this month, including a trip on the 28th to the Grand Rapids Symphony where students will be able to participate in a “Play-In” in the lobby before the concert. This concert is especially fitting for my students to see as it’s titled “For the Love of Violin”!

Each of my students is also starting out the Fall Semester with one month of reviewing their old songs. Once everyone is done with their review songs, then each student gets to pick a prize out of my prize box! A key component of the Suzuki method is reviewing a unified repertoire and playing with others, and we are able to do that in group lessons and with lesson overlaps!

I’m looking forward to all of the opportunities this semester has in store for us!

Ada Village Farmers Market Performance Recap

We had a blast at the Ada Village Farmers Market playing group songs and duets for shoppers and farmers! I was joined by Dr. Sarah Abbott Boerema and her students for a fun morning of fiddle duets.

I was so thrilled for my students to have an opportunity to play music outside of the Suzuki repertoire and to do so in such a casual setting. Before now, my students had only had recitals to perform at. My goal for the next school year is to increase the number of fun performance opportunities for my students so they aren’t all high-pressure situations like a recital.

Dr. B and I played duets for about an hour, and then we had our students play 6 group songs: Twinkle Variation A, Carnival in Rio and Bow River Fiddling from Magic Carpet Violin, Cabbages and Swallowtail Jig from Wee Violin, and Old MacDonald.

We are so thankful to the Ada Village Farmers Market for hosting us and can’t wait to go back next year!

2024 Spring Recital Recap

Last month, we enjoyed lovely performances from nearly every one of my students. I am so humbled by the growth my studio has shown in the past three years. At my first recital, I had 13 kids perform. I had nearly 30 perform this time!

Since we have grown so much, we had to find a new venue for our recital this year. Thank you very much to St. John’s United Church of Christ for hosting us!

We had solos, duets, a trio, and even a quartet! I am so proud of the hard work everyone put into their performances. We were accompanied once again by the skilled Noah Seim and I even tried my hand at accompanying as well! Grand Rapids area teachers should consider hiring Noah for their recitals – he is fantastic at accompanying young students.

At every recital, my students start with the first variation of Twinkle. Everyone gets to play as a group regardless of how young or old they are. One of my students’ parents got a great picture of us playing twinkle, but there were so many of us that not everyone is pictured!

This year I started including Pre-Twinklers in performances. At the start of the show, we sang the Rest Position Song and “played” Pop Goes the Weasel. Later in the program, all of my Pre-Twinklers played an open string duet with me from the books Wee Violin and Magic Carpet Violin.

Towards the end of the program, my more advanced students played some ensemble music.

And now with the recital behind us, we are well into the summer. I’m enjoying slower days and sunny weather, while also looking forward to getting back into the swing of things next year!

2022 In Review

What a year it’s been! I’m so thankful for all of the opportunities I’ve had this past year and it makes me feel very fortunate to look back on what I’ve been able to do. When we are caught up in the grind and just getting by day to day, it can be hard to remember how much we have accomplished. I encourage everyone to do a yearly reflection and give yourself some credit for your hard work too!

Below are just 5 (of many!!) highlights from this past year.

  1. I performed at 26 wedding ceremonies.

I originally started the year with a limit of 24 weddings. After the whirlwind that was 2021, I felt that I needed to limit the amount of weddings I was doing for my own sanity and for the quality of my performances. I ended up adding on 2 more, but am proud of myself for sticking so close to the original number I gave myself! A lot of planning goes into each wedding, so limiting them ensures that I am consistently providing my best work. 

  1. I started the year with 15 students and ended it with 27.

This is especially crazy, because my goal was 20! I am finally at a point where I don’t need to rely on gigs to supplement my teaching income. The constant plugging myself and posting on wedding sites appear to be in my rearview mirror- and hopefully I can keep it that way!

  1. I recorded an album!

Albeit small (only about 30 minutes of music), my string quartet worked very hard and hired a sound engineer (Chris Avison at McBride Studio) to record music for my parents’ 30th wedding anniversary. They have exclusive access to the full album, but you can listen to clips on my About Page.

  1. I Completed Book 2 Training.

It seems so long ago that it wasn’t even part of this year, but in February of this year I completed my Book 2 training with Jenna Potts. It was a very thorough class and I learned so much about teaching and Dr. Suzuki’s philosophy. I’m really looking forward to continuing my education in the Suzuki Program!

  1. I held my first studio recital!

Words cannot express just how much pride I felt when I watched my students, aged 5-adult perform songs that they had worked so hard to prepare. My heart was bursting to see even my most nervous students perform so well. Each student put in so much work and the reward was a beautiful performance.

I’m looking forward to using these experiences to help me grow in 2023!

Summer 2022 Recital

This past Sunday was a big day for my studio!! 🎻🌈

I had my first ever student recital. We started the event off with a group rendition of Twinkle Variation A, then 13 of my students gave beautiful performances. All of them played so well, and it’s so impressive to think that about half of them couldn’t even play the violin this time last year!

My grandma played the piano for 13 of the 14 who performed (one played solo). She also was great! I am so thankful to her for sharing her skill with us and helping make the day special. ❤️ She committed lots of time to rehearsing, as each of my students got to rehearse with her in a lesson, at a dress rehearsal, and at my June group lesson.

Thank you also to Davin with Sound Check at Lowell United Methodist Church for allowing us to use this space. It was the perfect size for us!! 🥰

Buddy & Bean Flower Farm put together a beautiful arrangement to honor my grandma, and I really recommend her work🌻🌺 !

I can’t forget my mom, who made cookies and fruit kebabs for everyone!! 😋😍

And lastly thank you to my students and their families!!! I am so proud of everyone who performed and I am so happy with how far you all have come. Happy Summer!! ☀️🌈

3 Goals for My Violin Students in 2022

New Year’s Day and the first few weeks of January are always great times to check in, reflect, and set new goals. I’ve found that I grew more from the teachers who set clear goals for me than the ones who played things more by ear, and I strive each year to be a better teacher for my students! So, in addition to more personalized goals for each individual student, here are three goals I would like to see all of my students reach this year. 

  1. Practice and Listen More Often.

When you teach 3-12 year olds, it can be hard to find a good practice/listening and life balance. Even harder when you personally have struggled with debilitating burnout in the past. I’ll be the first to admit that I’ve gotten a bit lax with my practice requirements and I haven’t always been persistent in having my students listen to their music each week. I struggle a lot with seeing where the line is between encouraging a love of music by keeping lessons fun and doing a disservice to my students by not encouraging them to meet their full potential. I also think that telling each student to practice every day is not realistic, and it’s kind of a cop-out. Wouldn’t it be nice if we could practice every day, work out every day, work on our jobs and our side hustles every day (or go to school!), and never experience an ounce of stress, burnout, or injury! 

Practicing every day will surely help you improve faster than the students who don’t. I’m sure Ray Chen, Hillary Hahn, and other famous violinists do, in fact, practice nearly every day. I had many college professors who insisted we practice every day. But, I’ll let you in on a secret: I’ve never met an adult musician who has spent their life practicing each and every day at the expense of sleep, rest, and sometimes their health, who is also consistently happy, has appropriate social skills, and doesn’t hold an unhealthy resentment towards those who don’t fit their idea of what it means to “work hard”. So, even though I realize I’m in the minority when I say this, I don’t think my students should practice every day. Instead, what I tell them is that they should practice most days. I think you should take a look at a student’s work load and work together towards practice goals that make sense for each individual student. 

That said, my strong feelings against the side hustle and burnout culture have made it very hard for me to understand where I need to draw a line. I think it’s possible to acknowledge and encourage my students not to overdo it and also set firm boundaries on how much they should be practicing and listening to their music. This is also an expectation that needs to be stated clearly with the parents. Kids are just that: kids. They need reminders. It’s my job to make sure the parent knows what is expected of both them and their children. My goal for them is to establish a workable practice and listening routine so that my students are practicing more.  

  1. Explore New Music.

I love the Suzuki books. They’re set up in a way that makes sense to me and I believe that as you continue through each book, the skills you learn from each song build on each other. But they’re not diverse. I think most, if not all, of these songs were not even written in the same century that our students are growing up in. Classical music is great, but it’s far from the only thing out there and it would be silly to think that all of my students go home and blast Tchaik 5 or the New World Symphony. I want them to listen to music that is being made today, whether that is from contemporary violinists, jazz musicians, or pop artists. Being able to listen to music and not do anything else, just listen and enjoy it, is totally underrated and personally, I think it’s healing and a very healthy thing for us all to do. My goal is to help them eventually take self-guided explorations with new music without me encouraging it. But for now I can send home some fun assignments! 😉

  1. Have More Confidence

This is something I ALWAYS have on my list of goals for my students. Life has a way of getting you down, and social media can make it easy to compare ourselves to others who seemingly have it together more than we do. If my students only do one thing in 2022, I hope that they become more comfortable with their instrument, are proud of themselves for doing so, and in turn, have the confidence to keep playing.

Happy New Year! What are your goals for 2022?

Why Getting the Right Size Violin Matters

Did you know that violins come in multiple different sizes? It’s true! While most adults play on full size violins, there are 1/2, 1/4, 1/8, 1/10, and even 1/16 size violins for children. Whether your child is 3, 7, 14, or even if you’re an adult student yourself, getting the right size violin is crucial to learning the instrument. For children who need a fractional sized instrument, getting them the right size violin will allow them to handle the violin much better than they would with a violin that is too big.

Won’t my child grow into a full size violin?

While, yes, your child will very likely grow into a full size instrument, there are several reasons why this logic will end up hurting them in the long run. First, when I say “hurt”, I partly mean that quite literally and physically. Holding the violin is not natural – meaning no other time in life are you likely to hold up your left arm over to the side of you in the way you would to hold a violin. Even without an instrument to hold up, your arm is probably going to get tired after a few minutes of holding it up if you’ve never done this before! Violins seem like such little things, but they’re heavy when you hold one for extended periods of time. If your body hasn’t developed the necessary muscles and endurance to comfortably hold a violin for extended periods of time, we risk injuring the student by overusing the muscle. The smaller the violin, the lighter it is. If your child has the benefit of being able to start on a smaller size instrument, you will be doing them a favor as they will be able to develop their muscles slowly over time rather than rapidly putting stress on them.

Second, a smaller child is set up for failure if their instrument is too big to handle. We need to be able to move around freely on the fingerboard in order to play the instrument. There is a lot of work in the first year (and many times longer) with posture (holding the instrument correctly). The most common thing I see when a child has an instrument that is too big for them is that they’re not able to hold it properly. They need to have a straight left wrist in order to comfortably access every note on the fingerboard. If they’re struggling to reach the top of the neck of the instrument in the first place, they don’t have a chance of keeping that wrist straight. This will cause (on top of constant nagging from their teacher) them to play out of tune, making it extremely difficult for them to develop their ears. Playing in tune is a challenge when everything is set up right – it’s near impossible if the student also has other factors working against them.

All of this is sure to frustrate the student, and in my experience, they will be more frustrated than they will have fun. They will hurt, their teacher will be nagging them constantly about their posture, and they won’t be able to make a nice sound with their instrument. No child wants to fail. Having an instrument that is too big for your child will likely result in them losing interest.

Buying multiple instruments for my child as they grow sounds expensive.

I have great news! In a lot of areas, you can rent string instruments. When your child outgrows theirs, you turn in the violin for a bigger one. I recommend renting your first instrument to everyone, even if they’re an adult student who will be starting on a full size instrument to begin with. Here’s why: how many times have you or your kid been ALL about something, totally invested, can’t get enough… just to lose interest in a few months? I love the violin, but I’m not foolish enough to believe that it’s for everyone. It’s a rewarding, but very challenging, skill. To put it bluntly: the violin is too hard to enjoy if you just “kinda” like it. Renting an instrument is a smart option financially if you’re unsure of the commitment.

In Grand Rapids we’re lucky to have Meyer Music – your one stop shop for getting sized, renting, and helping with repairs for your instrument. If you go during normal business hours during the week, they’ll even change a broken string for you while you wait. All included in the rental fee! If recommend Meyer Music to all of my new students. If you’re not in the Grand Rapids area, Shar Music does online rentals. Even though they’re based out of Ann Arbor, they will ship you a rental instrument. They’ll help guide you through the process of measuring your child to see which size violin is right for them as well.

I would love to hear from you! Let me know what your thoughts are about this below!

Back to School: COVID and Violin Lessons

Well, Michigan has officially survived it’s first couple weeks of Back to School! Most of my students are back in the classroom, and with covid rates rising, so are tensions. In these unprecedented times, I find my fellow teachers and myself have all been wondering, “how do I provide excellent music education with these restrictions?” My suggestions for today are mainly geared towards private lessons, but if you are an orchestra teacher looking for advice, I would love it if you gained a few tips from me today! 

Here is my guide to surviving the Fall Season while also making lessons fun for your students!

  1. Plan, Plan, Plan!

This may seem a little counterproductive right now. How are we supposed to plan for something when everything can change at a moment’s notice? Here is my advice: plan anyway. Have a back up plan. Heck, have two! With an impending recession, parents are going to start looking at their spending and cutting things that aren’t necessary. You’ll have to ask yourself if you are providing lessons that you would make a priority for your own child if you were in their shoes. Are you prepared with something to learn each week and have a plan for how to keep things light and fun during these heavy and not-so-fun times? Or are you winging a lesson here and there and waiting to see what the student does to plan how the lesson goes on the spot? Don’t get me wrong – I know that a lot of the lesson will go according to how prepared your student goes, but you can also have a plan for whether they are prepared or not. Unfortunately, right now you need to be treating lessons like an audition. Just like an audition, you can’t give them any reason not to want you, which means being prepared with a lesson plan and a back up lesson plan to keep your student engaged. 

  1. Try not to mention the masks

In Michigan, we are required to wear masks inside public places. This includes my studio. For some students, the masks are no problem. I have one student whose mother is a nurse, and she has not once commented on her mask. Instead, she arrives at each lesson with a properly fitting mask and doesn’t fiddle with it (see what I did there). What a dream it would be if all of our students were like this! Unfortunately, it can be a huge hindrance for some. Remember, your student is starting one of the most stressful school years of their lives. The mask is just one more thing they have to deal with right now and for some, it’s borderline too much. However, there’s really not much we can do about that right now. Regardless of what you believe, your music studio can be fined if you are reported not wearing a mask with your students. For most music studios, this would be bad news, as most of us have already lost a considerable amount of money this year. So, the best thing to do is not to bring it up. That’s not to say you should ignore your student if they do, but never be the first one to talk about the mask unless it is extremely important. If you bring it up and complain, then they will be reminded about how much they hate them too, and you’ll spend about 5 minutes trying to get a de-railed lesson back on track. So here is my advice: pretend that you aren’t even wearing them. Don’t fidget with them if you can help it (I know this can be near impossible for my fellow glasses-wearers). When a student starts to complain about them, don’t ignore them. Listen to them and say you understand. You can remind them that the lesson is fairly short and they can take their mask off after. Here is something that I had suggested to me by a colleague: if it is really becoming a hindrance, have them take a 5 minute break in the restroom. They can take off their mask when they are alone and then come back to their lesson ready to learn. My last bit of advice for this one is to try your best to be patient. Everyone is doing the best with what they have right now and this includes your students. It’s hard for a 9 year old to understand what’s going on and they are often too young to understand why the change in routine is distressing to them. If they spend half of the lesson playing with their mask instead of the violin, remember that they are doing their best for right now and make it a goal to spend a few more minutes with the violin at the next lesson. 

  1. Keep it Fun

I am a violin teacher. Half of my job is to teach my students how to play the violin. The other half of my job is to create a space where they feel safe enough to talk, make mistakes, learn, and have a little bit (or a lot) of fun. Right now, what our students need, more than knowing how to play all the Suzuki Twinkle Variations, is to have a safe, dependable place where they can use their instrument as an outlet. I read an article recently that talked a little bit about transactional relationships vs transformational relationships. A transactional relationship basically means, “I do this, so you do that”. In other words, I give you this exercise, you learn this technique. This is something that even under normal circumstances, will likely bring both you and your student frustration. In a global pandemic when school schedules are different and everyone is stressed, treating your lessons like this will certainly bring you and your student a lot of frustration. Instead, focus on having a transformational relationship. Learn to teach that student in a way that helps them learn. It’s not the same for everyone, which is something as teachers we know, but sometimes forget. If you can manage to stay mindful of this with each of your students, you both will be better off. 

  1. Take care of yourself

Your students need you more than ever to take care of them this school year, and in order to do that, you first need to take care of yourself. This means get enough sleep, eat healthy food once in a while, drink water, and take any meds you have to take. It also means to give yourself breaks, not to overload your schedule, and to be aware of burnout and how to help recover from it. Something that really helps me with burnout is journaling, and talking with someone I love about it. I also see a therapist each week to help cope with my struggles and grow. Do you have a therapist yet? Everyone should go at some point, and coping with a global pandemic seems as good a reason as any to make an appointment! If finances are a concern, ask if there is an intern you can see. Interns have almost every credit for their degrees, they just need a certain number of hours at an internship. They are often much more budget-friendly if you don’t have insurance that covers psychotherapy! There are also online options as well. The hardest part is making the appointment, then the rest is just follow-through. 

  1. Remember, your best is all you have

We’re all doing our best here, and none of us are perfect. None of us in the US have dealt with something like this before and it’s tough sometimes! Also, remember that your best is not doing so much that you end up exhausted and stressed. Your best is the best you can do while still maintaining your well-being. 

How have your lessons been going? I want to know! Comment below or send me an email so we can chat! 

Teaching Violin During a Stay at Home Order

What a crazy few weeks it’s been! Michigan has been under a Shelter in Place order for three weeks now. A lot of things have certainly not been easy, and that definitely includes the task of teaching violin lessons. Almost all of my students have been able to continue lessons online, which has not been a smooth transition for all of them. Some of my students seem to be doing fine, and others are heavily affected by their routines disappearing and life coming to a screaming halt. I have noticed this in their energy levels, concentration, and the amount that they have been practicing. I’ve tried a ton of different ideas to keep my students engaged and feel cared about, and I wanted to share some of my ideas.

1.) Take Care of Yourself

It’s like when they say in an airplane to put your oxygen mask on first before helping anyone else. You’re not going to be able to do a good job for your students if you’re not doing a good job for yourself. This does not mean the same thing for everyone! For some people it’s staying busy, and for some it’s being loving towards yourself and allowing yourself to have off days. Something important to remember is that almost no one is functioning at their normal levels right now and that’s okay. Acknowledging to yourself that you could be having a tough time will make it easier to realize that your students are having a tough time too.

2.) Don’t Sweat the Small Stuff

It’s your job as a teacher to critique your students’ playing. That means when you hear something that is obviously wrong, it’s your job to identify the problem and offer solutions for how to fix it. When you’re meeting in person, sometimes it’s appropriate to drill things for an extended period of time. However, when you’re teaching online, your student can’t easily read your body language, nor can you read theirs. Now is not the time to get “stuck” on one thing during your lessons. Of course address it and spend some time working on it, but if you get hung up on one thing, you and your student are just going to get frustrated about it. You can’t give the same kind of direction online that you can give in person, so consider that it’s not your student’s fault that they’re not understanding the concept you’re trying to explain. If something just isn’t working, move on. Come back to it at the end of the lesson or even at the next lesson.

3.) For Younger Students, Try Multiple Mini-Lessons

I have a couple of very young students who have trouble focusing throughout our normal 30 minute lessons when there isn’t a global pandemic. When I made the switch to online lessons, they were my first thought. How am I supposed to engage them for a full 30 minutes at a time when I’m talking to them through a computer without proper mics and speakers? That’s why I decided that for my younger students, I would do two 15-20 minute lessons a week rather than one 30 minute lesson. I’ve had a lot of success with this! It’s still hard to get complete focus, but you have to look at the small victories. Did your student play for half of the lesson? Great! Did they show you their toys for the other half? Also great, they’re probably so happy to have been able to show you. I’ve found that I’ve gotten a more personal look into their lives through this, and I’m thankful for it. Remember that you are teaching the whole person, not just the musician when you take on a young student. Maybe this is the time to inspire musicality through emotion rather than focus entirely on technical details.

4.) Connect With Other Teachers

Guess what? There’s no guide to this. And if you’re anything like me, you’ve been searching for tips online since this whole thing started. Unfortunately, there’s not much out there, because we’re all winging this. So, connect with your teaching friends! Ask them how they’re doing and what they’re doing to keep their lessons beneficial and engaging to their students. Right now, they are your best resource.

5.) Remember Why We’re Doing This

After several lessons with frustrating lag, audio difficulties, and lack of concentration from students, you’re probably feeling burnt out more than anything else. That’s okay, give yourself time to feel down and angry about the situation. It’s not fair! But when you’re done, remember that you are giving these students something very important. The reason we teach music is so we can share something we love very much with others. So help your students. Show them that even through a global pandemic, music will still be there and it will always enrich their lives. Make it fun! Let it be an outlet for them, not a burden.

What have you been doing to cope during this time? I would love to hear from you about ideas you have had for your online teaching.

Dear Students

I’ve thought about starting a blog for some time now, but I’ve gone back and forth about what I wanted the first post to be. It seemed so complicated and I felt a lot of pressure to make it amazing, but honestly, I don’t want this to be complicated. There’s a lot of things in this business that are complicated and this doesn’t have to be one of them. So I thought the best first blog post would be about the very thing that inspires me to keep playing my instrument the most: my students.

Dear Students,

Teaching you has changed the way I look at music. I love when you are excited to play, because it makes me excited to play too. When I see you struggle, my day is brighter after we work to help you succeed . You come to me each week with different experiences, moods, and personalities and that helps me grow. When you tell me your ideas, I become a deeper musician. Each lesson is a new experience and I love sharing what has greatly influenced who I am with you.  As I watch your life be shaped by music, you shape my life in return. I know you come to me to learn, but in reality, I learn from you. 

My bond with you is special. It’s not that of a friend, or a parent, but as a mentor to teach you what I have learned from my mentors and my own experiences. I care about what happens to you outside of our lessons, and I know you share things with me that you may not share with others. I listen to you and I take these things home with me. Sometimes that makes my job hard, but I consider myself lucky to have your trust and I don’t take that for granted. 

My hope for you is not to go on and become the next Julia Fischer or Joshua Bell. Don’t misunderstand this: I want you to be inspired. Instead, I want to help you do what makes you the happiest. If that means being a professional athlete, I will teach you discipline. If you want to pursue a business degree and become an entrepreneur, I will teach you time management. If you want to care for others, I will teach you compassion. Should you decide you want to pursue music, I will do everything I can to give you the tools you need. My hope for you is that you leave my lessons with the confidence to tackle any task you face and the self-compassion to let yourself fail. And when you do fail, as all of us do, I hope I will have taught you that you have the courage to get back up and try again when you’re ready. If I can teach you these things, then I will have given back half of what you have given me. 

With love,

Ms. Jenna